The Dog Year by Ann Wertz Garvin

The Dog Year by Ann Wertz Garvin
My rating: 5 of 5 stars

Step inside The Dog Year and meet Dr. Lucy Peterman, a plastic surgeon struggling to navigate her life after losing her husband and unborn child. She copes by stealing hospital supplies and stockpiling them in her bedroom. Until she gets caught, and discovers she can't continue through life without help from friends.

Peopled with realistic human characters, The Dog Year contains many life lessons and a generous dose of humor, tempered with just the right amount of sadness.

Ann Garvin just might become your new favorite author. I'm lucky enough to possess a copy of The Dog Year signed by Ann herself--if you have a chance to hear her speak, do it!


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The Storied Life of A.J. Fikry

The Storied Life of A.J. Fikry by Gabrielle Zevin
My rating: 4 of 5 stars

This is a charming little sandwich book. AJ Fikry is a widower who lives above his bookstore and is slowly drinking himself to death when he meets a pretty young bookseller from one of his favorite publishers, suffers another loss, and then discovers a toddler left in his store with a note asking him to care for her. He ends up raising Maya in the bookstore, and strikes up a close friendship with a local police chief.

AJ is a lovable character after you get past his initial gruffness. He loves reading as much as a bookstore owner should, and each chapter begins with a brief note from him about a book he read. It's a story I'll remember for a long time.


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Still Life With Bread Crumbs

Still Life with Bread Crumbs by Anna Quindlen
My rating: 5 of 5 stars

Of course this is a 5-star book; does Anna Quindlen write any other kind?

This is the story of the self-reinvention of famed photographer Rebecca Winter. Divorced, alone, broke and dispirited, Rebecca sublets her beloved Manhattan apartment to make ends meet. She moves to a small town a couple of hours from the city and rents an old cottage. While there, she meets some locals, travels back to the city to visit her failing parents, has her son over for a visit, and does what she always does: takes photos of what she sees.

Quindlen's characters  are always personable and realistic, and Rebecca teaches us that it's okay to continually become who you are, whomever that might be at a given time.


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The roar of the keys

Some days my writing is on fire. I can barely hear my thoughts over the roar of the keys. My focus is completely internal as I listen to my inner voice and close my eyes to shut out all visual distractions, determined to capture every salient phrase bursting from my brain. These miraculous times only last five to thirty minutes, but the resulting paragraphs and disconnected concepts are so rich I can build on them for hours. Word count doesn't matter; subject doesn't matter; personal comfort doesn't matter (I'll cross my legs for an hour if necessary to avoid halting the flow of ideas).

And so, I write. I write until my fingers are numb and I can no longer focus on anything beyond the computer screen. Sometimes I find myself wondering what is that object on the shelf across the room? Oh, its a clock. But it's stopped, so it must not matter what time it is right now. I purposely keep the clock there, in my direct line of sight, perpetually reading 6:00 and assuring me there's time to write, time to create, time to compose. A dead clock is very calming for my type A mind--there's nothing to race and I'm free to write slowly or quickly until the page is full or the chapter is finished.

Write on.

Ten Favorite Words

I've been listening to Anne Lamott's audiobook Word By Word.  Anne narrates it herself, presenting a portion of her inspiring Bird By Bird, about writing and living as a writer and incorporating writing into our daily lives.  At first I consumed the audiobook in great gulps, listening at double speed, before I realized I'd better slow down to properly absorb the wisdom. 

Near the end of the audio presentation,  Anne announces she's going to give us writing assignments to do later.  The first assignment is to make a list of my ten favorite words.  I immediately pause the audio presentation, eager to attack this assignment while my mind is sharp and elastic and itchy. 

Ten favorite words...sounds simple, but how shall I determine they're my favorites?  On what basis am I supposed to judge these words?  I could use words I often use (doesn't this indicate a favoritism of sorts?): fabulous, cinch, scandalous. 

I hate questions like this because I'm hardwired to provide the correct answer and when there is no correct answer, I try to read the mind of the person asking the question to discern which answer they're expecting me to give, which is probably an incorrect answer because it won't reflect my style, but theirs.  If someone asks me what my favorite color is, for example, this is what happens:

Okay, I think to myself Mike just asked me what my favorite color is.  I don't have a favorite color, but that sounds lame. Everyone has a favorite color!  Scanning his clothing and mine, I notice our shirts both have red accents.  I grasp at this one similarity and nearly shout with relief, "Red! Yes, red.  What's yours?"  I'm already thinking if I like red so much, how come I don't have a red car?  Red socks?  Red shoes?  He's going to think I'm lying and I am!  I'm a fraud!  "I don't really have a favorite color," Mike says.  Somehow it doesn't sound lame when he says it. 

Back to the list of ten favorite words.  I'm flummoxed.  Ooh!  Flummoxed should go on the list!  Let's see, it is fun to say, it sounds like what it means, I don't overuse it but I'm comfortable using it, and most people know what it means so it doesn't require translation.  Here's my full list:

1.  Flummoxed (see reasons above)
2.  Neologism (I heard it on TV recently, and I'm trying to work it into conversation without sounding pretentious)
3.  Bamboozle (is this too close in meaning to flummox?  Does my listing two words meaning 'mental chaos or confusion' point to a mental illness I'm unaware I have?)
4.  Solstice (I like the meaning; I like the balance and beauty of the word; it's fun to say, and it's scientific!)
5.  Malapropism (I like the meaning, and I like to collect malapropisms.  Maybe my next list will be the ten funniest malapropisms I've heard)
6.  Synergy/Synergistic (great meaning, fun to say, not too popular)
7.  Phooey (a nod to my grandma, and the only curse word worthy of a favorite word list)
8.  Integrity (an important word; a weighty word; the word by which I choose my friends and those I respect and admire)
9.  Caliginous (shades of the Wizard of Oz; who doesn't watch and wait for opportunities to inject this word into everyday conversation?)
10.  Sagacious  (more scholarly than 'wise', something I aspire to in my dotterage)

To Blog or Not To Blog

That's the real question.  How much time should I dedicate to writing and editing a blog, when I don't know who (if anyone) is reading it? I could easily write book reviews, snippets about my days and observations on everything from the weather to my Pinterest obsession. But shouldn't I be using the time and energy for writing my new book?

I'm working on an as-yet-untitled book about fraternal twins growing up in Michigan's Upper Peninsula.  The book opens with a startling, violent scene and ends about thirty-five years later.  My first draft is finished, and it's been through the first round of editing.  It's now back in my lap awaiting my revisions, additions and further research about a career in architecture and adopting a baby in 1975.

The writing articles, books and blogs I read have one thing in common:  they all maintain the only way to write is to actually sit down and write.  Sounds simple, but the act of forced creativity is rather unsavory to contemplate, let alone sit down and do.  But Anne Lamott says I should, and Stephen King says I should, and Natalie Goldberg and Caroline See and the guy who wrote the Art of War for Writers.  They all say it.

And so I'll go and I'll sit and I'll write.  I'll revise and edit and curse and brainstorm a title for this greatest piece I've manufactured to date, so I can get it out there in the world.  Right after I have another cup of coffee and go for a walk.  It's a known fact walking can increase creative energy and provide answers to...oh, who am I kidding.  I'm procrastinating again.  (deep breath)  Okay, I'm plunging in.  Hang on tight--this story is going to keep you turning pages!

Writing vs. Revising

I recently discovered, or maybe admitted is a better word, that I enjoy revising more than I enjoy the initial writing. If the entire act of writing, beginning with an idea and ending with a book or at least a booklength manuscript, can be distilled into basic steps, mine would be:

1. Brainstorm.  This is great fun! I use a Levenger notebook with the Circa discs so I can easily rearrange my notes, and I write down the overall aim of the piece as well as the general order in which I will proceed, ending up with a fairly loose outline/bullet list for each chapter. Some pages contain notes in mind-map web formations, some contain unrelated phrases, some have tables or charts sketched as I consider, with each book, including graphs or charts but so far I haven't done so. (I'm thinking maybe I'll incorporate graphs and charts in book #3, which is wavering between steps one and three right now.)

2. Create a cover.  More fun, and artistically stretching as I can barely jot my name in a legible manner. I usually manage to doodle something usable, then re-create it on Publisher. I might start writing the cover copy at this point, but I might wait until the book is more focused.

3. Write the first few chapters. The number of chapters written in this step depends on the overall length of the book, the logical places to take a break, my momentum, and my non-writing schedule (all the tasks I must do each day, such as work at my full-time job and keep track of my child and spend time with my husband and help run his business). When I get stuck, I go back to the notebook and re-read my brainstorm notes, adding to them as much as possible so I feel like I'm really working on something. I've read many books on this subject and most authors tell aspiring writers to write a minimum number of words per day (2000 is a common amount; the last book I read, Making a Literary Life by Carolyn See, suggests 1000 per day) but I've concluded this regimen doesn't work for me. However, I don't make a living from my writing! If I did, I'd probably  have to strap myself in and crank out a few grand per day.

4. Revise the first few chapters. I can't help myself, I've got to revise as I go! I try to force myself to wait until I'm finished writing the entire first draft but my revision tendencies are clearly stronger than my inital writing tendencies so I give in and revise at whim. As I'm revising, I keep my brainstorm notebook close by and jot down all the new ideas for future chapters. This is how and when foreshadowing of future events can be inserted, creating a more even and natural flow in the final copy.

5. Write the next few chapters.

6. Revise the next few chapters. Revisit the cover, consider the cover copy and make sure everything promised on the cover is contained in the book and the most important things in the book are included on the back cover.

Keep repeating steps five and six until the work is done.

7. Re-read the brainstorm notebook. Check everything off as you go, or just draw a diagonal line through each page if the entire page is either a) already included in the book or b) unusable.

8. Revise the entire book! Yes, revision isn't over! It's possible to revise until your eyes fall out, but it's not necessary. I generally revise (as in, re-read with a highlighter, post-it notes and a pen in hand) two or three times immediately after finishing writing the book, then I have someone else read it over and give me some feedback. I have four people who usually read my work before it goes anywhere else, and while they're doing that, I'm relaxing with the brainstorm notebook, in case any other little ideas spring forth. I'll frequently have about 27 new things to add to the book by the time I get it back from my readers.

9.Take a break. Take as long a break as possible, at least two weeks, up to several months. Let the book get dark and dusty.

10. Revise one last time. Read it with fresh eyes and incorporate the pertinent feedback and any other brainstorming notes generated during the respite. Enjoy the satisfaction of a finished job. Pat yourself on the back. Pour yourself a glass of wine. Read a book, written by someone else, and notice that yours is just as good (maybe better).

Janet Burroway

I recently attended a writer's conference in Madison, Wisconsin where I was lucky enough to hear Janet Burroway speak. I'd never heard of her before, but loved the way she talked about writing and the struggle to actually sit down and start writing. She gave all of us permission to write to our lowest standard, which is better than writing nothing at all.

Of course I bought two of her books on break. Of course I had her sign them. And she doesn't merely scrawl her name across the page or write a stock phrase wishing the reader well. She opens the book to a random page, selects a phrase wherever her finger lands, and inscribes that particular phrase to the reader. She said it's like a horoscope. Nifty!  One nice thing about this method, besides giving the purchaser a personalized inscription, is the time it takes. It's nice to spend three or four minutes chatting with the author rather than being rushed off, pushed aside for the next reader in line.

So far I've read one,  Bridge of Sand, and loved it. It's going around Bookworms Anonymous right now, and I'm confident everyone will enjoy it. Ms. Burroway is most well known for her text book, Writing Fiction, which is the preeminent text used in Universities across the United States, but this latest novel is a well-crafted story. As a reader I enjoyed it, as a writer I learned a thing or two.

It Doesn't Look Like I'm Writing...

I started writing my third book. It's roughly outlined and I have extensive disjointed notes designed to capture my bright ideas in cryptically phrased snippets. I already know the contents of the table of contents and the appendix. I even have a list of glossary words! But I'm at a standstill.

I haven't written more than a paragraph in the past week.

Of course, writing involves mental effort and angst and mind stretching brainstorming sessions. The physical act of writing or typing is the only visible proof that such activity has occurred, but it's difficult to measure the hours spent agonizing over each word in the first sentence before it is recorded for the first time (I'll revise it several times before exposing it to another reader).

I'm hoping this slump is actually a subconsciously energetic session of word jockeying and theme building, and tomorrow I'll start writing chapters at a time, so compelling I'll be unable to close the laptop and focus on the view outside the window. I'll probably wake up in the middle of the night to record some ephemeral notion, earmarked for inclusion in a specific passage. It's time to focus. Again, hoping the subconscious has been fine tuning all along.

A speaker at the seminar I recently attended in Madison, Wisconsin said (I'm paraphrasing): Every writer experiences an uncontrollable urge, a compulsion, a desire within their soul, to write. Every writer absolutely can not survive without writing and must do so every single day, except right now.

She went on to assure us our subconscious minds are working on our craft even when our fingers aren't, and we should relax and allow our powerful, magical minds to operate and eventually produce pitch perfect prose.

What Does a Chapter Make?

I'm deep in writing production mode, cranking out a few words a day. I subscribe to the philosophy "write one word per day", expecting if I write one word, more will follow, but if I set the goal too high (some write 2000+ words/day) I will fail miserably and end up in a nice white room with no hard surfaces. My one word per day is rather loose: I'm allowed to write down one idea or outline a chapter or scene, or write an actual word that may appear in the actual finished product. This method words because I am inspired by the first word to continue with a second word, then a third, and so on.

Today's question, what does a chapter make, is about words. How many words do you consider necessary for a 'regular', 'average' chapter? I've seen chapters as short as one word, and as long as half a book. Most of my chapters in the work-in-progress are 7-10 pages long, which translates to 1750 - 2500 words per chapter. The latest guide I read suggests 18-20 pages per chapter, but since I can't sustain a thought or scene quite that long, I will write twice as many chapters. Or maybe not.

I may not have a clear point here, but I will say this: If you are a writer, struggling with appropriate word counts and page counts, take it from me--stop counting! Be creative, let it flow, write a word per day. Reread, revise, rewrite, add scenes, delete lines, etc.

Remember, I've yet to publish a fiction title. Take the above advice with a grain of salt and a shot of your favorite beverage.